Manic Pixie Sci-Fi Boys

After reading The Hitchhiker’s Guide to the Galaxy, I, much like the characters in the novel, went searching for answers because I was at a loss for where to even begin analyzing such a chaotic, nonsensically esoteric story hitting blockbuster status. In a Youtube post by Jess of the Shire, she breaks the story down to “the universe is a confusing and often disappointing place, and there’s nothing you can do about it.”

This sums up how I felt as a reader at the end of (and largely throughout) the story. This theme is comforting in a nihilistic kind of way, and there can be an argument made for it being a universal theme (a trademark of blockbusters), but the manic dialogue and cyclical nature of the plot made my head feel like a two-day-old boba tea. Not very tasty.  

The writing is almost purple prose, but it’s so strange I don’t even want to qualify it as that. Perhaps a better term for Douglas Adams’s writing style is periwinkle prose. It’s purposefully dense to showcase its absurdity (which seems to be the main draw of the text?), but it’s borderline too dense to attempt to enjoy.

To its credit, the story is wildly creative, if not wholly random, and the voice is unique and quirky. This was a check in the plus column for me in chapter one, but by chapter ten it became exhaustive. I felt like I was reading the rantings of a manic pixie sci-fi boy. Much like the often criticized manic pixie dream girl trope, I was not impressed by the manic pixie sci-fi boys that populated this novel.

That said, many other readers were impressed, obviously. So, what makes this blockbuster bust? The one mass-appeal aspect I could find was how the story pokes fun at human behaviors. It’s a universal human experience to laugh at ourselves, right? If you can’t laugh off the meaninglessness of life, how can you live it? 

Perhaps that’s the question that keeps readers coming back to The Hitchhiker’s Guide to the Galaxy. Especially, in the times that we’re living in (or through might be more accurate) today, an absurdist view of our universe might be the only way to survive. 

XO

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An Analysis of the Bizarre Strength of Elle Woods

Since the film adaptation of Amanda Brown's bestselling novel Legally Blond premiered in 2001, Reese Witherspoon has evolved into the Book Maven of Hollywood. Sharing this title with the OG, Oprah, Reese's Book Club has more than 2 million members and her production companies have adapted (and help create) blockbusters like Wild, Gone Girl, Where the Crawdads Sing, Big Little Lies, Little Fires Everywhere, and Daisy Jones & the Six to name just a few from the big and small screens. 

As a writer of female-driven fiction, there are few things I attempt to manifest more than seeing that coveted RBC round, yellow sticker on one of my novels. Being chosen for Reese’s Book Club is an outright guarantee that your novel will become a bestseller. So, how did a girl better versed in Prada than legalese catapult Reese into maven status? 

I think the key blockbuster quality that Legally Blond has is the character of Elle Woods. To point back at the bizarre behavior argument from my previous post about The Hunger Games, all blockbuster protagonists seem to make bizarre choices, like all the time. When your response to getting dumped by your boyfriend is to kill your senior year by studying non-stop so you can attend law school clear across the country to win him back, girl, you are dead smack in bizarre territory. 

Nobody in real life makes decisions like this. And if they try to, they almost always fail. But we want to make crazy bizarre leaps of faith like this, don't we? The admirable thing about Elle is that even when she’s failing (which is rare), she’s still growing and leveling up. 

From a thematic standpoint, Elle bets on herself. Always. She has moments of doubt, but they’re short-lived because one of her unique opinions or quirks swiftly offers up an outside-the-box solution. Elle’s character teaches viewers (and readers) that when you believe in yourself you can accomplish anything. It’s self-doubt that holds you back, not your perceived flaws. In Elle’s world, nothing that is part of her makeup is a flaw. It’s simply a fresh way to approach a familiar problem. 

If only we could all live that way, thinking our flaws are actually our strengths. The Legally Blond franchise lets us escape into that world and live vicariously through Elle’s inner courage.  

Elle could’ve been written as a sorority girl caricature–and she still frequently acts like one–but she has unique opinions and an admirable drive to do hard things. She goes all in on whatever she’s committed to. Whether it’s a toga party on campus or her first day in court, Elle fully commits to the task at hand in unique and unexpected ways. She subverts our expectations of someone who looks and acts like she does, and it’s hilarious and satisfying when she proves everyone wrong. She teaches us not to judge a book (or ourselves?) by its cover…even when it has a round, yellow Reese’s Book Club sticker on it. 

xo

B

A Homerun Bromance

Funny, bursting with voice and unexpected hijinks, The Bromance Book Club is a surprisingly fresh and heartfelt romance novel that I’m already casting the movie adaptation for in my head. I see you Zac Efron, Glen Powell, and Channing Tatem. 

This romance novel is full of bizarrely funny antics like “The first rule of book club is you don’t talk about book club” and pro athletes teaching their fellow bros how to flirt that tip stereotypical male behaviors on their heads. The novel is full of unexpected and delightful characters that subvert gender stereotypes, which I’m sure is the reason it gained such success. The author played off reader expectations and surprised us with the reversals. 

There were plenty of laugh-out-loud moments in this book, but the amusing novelties stand like sprinkles on top of some truly wonderful (and sexy) writing. The story gets unexpectedly realistic as the couple works through issues of how married couples “fake it” not only in the bedroom. Both of the leads have to face past troubles in order to grow into the partner each of them needs. 

The author also imbues the “manly” male characters with a collective appreciation for their partners. It’s written as if being a thoughtful partner is actually what makes them manly. This feels like a reason for the book’s success, as well.

These men are mindfully aware of their responsibility to help each other be better husbands. This does not happen in real life. This is a serious romantic fantasy that isn’t necessarily mainstream but definitely relatable. It’s like a new take on the “it takes a village” adage only with lots more winking and fart jokes. 

As is the fantasy of a man prioritizing fighting to save his marriage. The divorce rate in America is over 50%. At least half of us are not willing to fight for marriage/love, and that sucks, but the men in this book are fighters. In fact, the will to fight for love seems to be innately ingrained in their DNA. That’s, again, what makes them “real” men. There are some more sprinkles on the fantasy for ya. 

This novel also felt like it was a low key PSA, letting us know that the world would be a better place if only we yielded to the lessons we find in romance novels. As a genre, romance is frequently looked down upon. Like most forms of media primarily created and consumed by women. The author of this novel was clearly, and smartly, nodding at that reductionist view of the genre and having fun with the mallet that she swings at that corner of the patriarchy. The Bromance Book Club was unexpected and hilarious and I can’t wait for the movie.

XO

B

The Drama Queen of Panem

In re-watching and analyzing what made The Hunger Games a blockbuster book and, subsequently, movie franchise, I stumbled upon a surprising answer: Katniss Everdeen is a drama queen. 

Her sister is randomly selected to participate in Panem’s annual juvenile cage match to the death? Girl volunteers on the spot with a cry of desperation “I volunteer as tribute!” Disrupting the entire ceremony like a lovesick ex at a shotgun wedding. 

A boy she barely knows is the only thing standing between her and death at the end of the aforementioned cage match. Does she take him out with the poison berries so she can get back to her family that P.S. was the whole damn reason she’s in the games to begin with? Nope. Our girl offers to Romeo-and-Juliet that scene all because the boy shared some bread with her back in the day. 

Now, I’m a fan of bread as much as the next carb-lover, but that shit is dra-ma-tic. But do all blockbuster protagonists need to be a little bit dramatic?

The important element to Katniss’s particular brand of drama that elevates her to be not just a run-of-the-mill drama queen but a Blockbuster Drama Queen is that she stirs up all this extraordinary drama for very ordinary (and relatable) reasons. She faces off with a fascist regime that regularly sentences its own people to death basically to save her little sister. 

Drama queens get a bad rap for their over-the-top antics, but when there's relatable motivation behind those extreme actions, being a drama queen becomes very human and very admirable. 

Don’t we all want to be the kind of person who would risk our own lives to save someone that we love? Hasn’t everyone attended a wedding we full-well knew we should’ve stood up at and cried “I will not hold my peace!”? Anyone with a divorced bestie knows that uncharted hero’s journey. But on the page and on the screen of a blockbuster, we get to experience that dramatic level of bravery vicariously through the protagonist. 

This dramatic revelation about the kind of character a blockbuster needs at the helm makes me think of a character like Harry Tasker from True Lies. How the hell does a Schwarzenegger movie from the 90s connect back to The Hunger Games, you ask? Well, simply, Harry is a drama queen too. 

I mean at one point he commandeers a police horse to chase down a terrorist through a town square. He rides said horse through a hotel lobby, into an elevator up to the top floor of a skyscraper, then ends up dangling off the roof because the horse refused to leap across the 50-odd-foot expanse to the next building where the terrorist got away to. Oh, and the horse also delicately pulls him back up to the roof by its own reins only to be reprimanded by Harry for not making the death-defying leap. 

Now, some of this dramatic flair can be choked up to James Cameron’s budget and hubris. That said, it’s still the character of Harry acting out Cameron’s dramatic fever dream. Harry is a Blockbuster drama queen, and that’s one of the reasons why True Lies was a huge blockbuster. 

Katniss might not be as funny or buff as Harry Tasker, but they share a reason for all their drama: protect your family. My previous post about The Shining also points back to that ever-universal theme of familial safety. Perhaps that is a common component all blockbusters share. We shall see…

XO

B